About
Calvin Brett (b. 1990, Brooklyn, New York) is an interdisciplinary artist whose studio practice is based in North Carolina. Working across sculpture, installation, assemblage, painting, video, and public intervention, Brett creates immersive works that transform discarded materials into compelling visual experiences exploring identity, memory, ecology, labor, and the cultural value of everyday objects. His practice is rooted in experimentation, intuition, and material investigation, drawing inspiration from natural systems, African and American folk traditions, and the rhythmic patterns that emerge through repetition and process.
Brett received his artistic training at the School of the Museum of Fine Arts at Tufts University, where his work was exhibited at the Museum of Fine Arts, Boston while still a student. Since then, he has developed a distinctive body of work that reimagines found materials as contemporary artifacts, using assemblage and installation to examine the intersections of environmental stewardship, social history, and African American identity. His work often challenges viewers to reconsider systems of consumption, waste, and transformation, revealing beauty and meaning within materials that have been discarded by society.
His work has been exhibited throughout the United States in museums, galleries, and alternative art spaces including the MIT Museum, Elsewhere Museum, Lump Gallery, The Fruit, The Scrap Exchange, The Carrack, Warehouse 21, Marble's Children's Museum, Heath Gallery in Harlem, and numerous exhibitions across North Carolina, New Mexico, Massachusetts, and New York. His work is included in the permanent collection of North Carolina Central University Art Museum.
In addition to his exhibition practice, Brett has completed artist residencies with the Chautauqua Institution, Perkins+Will Durham, Elsewhere Museum, Liberty Arts, and the Loghaven Artist Residency. He is a recipient of the Loghaven Fellowship and was selected as a Southern Foodways Alliance Do Good Fellow, recognizing artists whose work advances cultural understanding through community engagement and creative practice. His work and exhibitions have been featured in INDY Week, Durham Magazine, Art F City, Mechanical Dummy, and public radio interviews highlighting his innovative approach to assemblage and material reuse.
Committed to civic engagement and the role of artists in shaping public space, Brett previously served on the Durham, North Carolina Public Art Committee, contributing to the city's vision for public art and cultural development. His work frequently extends beyond traditional gallery settings through site-responsive installations and socially engaged projects that invite audiences to participate in conversations about sustainability, place, and shared cultural experience.
Through an intuitive process of collecting, arranging, and transforming found materials, Brett creates works that blur the boundaries between sculpture, architecture, and environmental intervention. His practice elevates overlooked objects into poetic forms, encouraging viewers to recognize the creative potential embedded within everyday materials while reflecting on humanity's evolving relationship with the built and natural environment. His work ultimately seeks to foster wonder, contemplation, and a deeper awareness of how art can transform both materials and the communities they inhabit.
calvin@calvinbrett.com.